Peterson Brothers Debut on Blue Point Records
A Summer Celebration – The Peterson Brothers Release Their First CD on Blue Point Records
Talented, young musicians Glenn and Alex Peterson release their first recording, The Peterson Brothers on Blue Point Records. The eleven tracks display the brothers’ diverse influences, some first forays into their own compositions and some solid adaptations of traditional and contemporary works. The brothers recorded with veteran producer Michael Freeman to achieve a sound which is both original and respectful of the blues. The release date is August 4, 2015. (www.petersonbrothersband.com)
“Young bluesmen take up the torch for a musical tradition…the crop of younger black blues musicians who can take the tradition and transform it with their own identity is relatively slim…emerging up-and-comers include…The Peterson Brothers of Austin.”
– The Washington Post
For the past five years, since Freeman saw their debut performance at the Pinetop Perkins 97th Birthday Celebration at Antone’s in Austin, Texas, The Peterson Brothers have performed for enthusiastic fans at clubs and blues festivals across the country, including the prestigious Chicago Blues Festival and The King Biscuit Festival in Helena, Ark. They have also opened shows for B.B. King, Los Lonely Boys, Michael Burks, Pinetop Perkins & Willie “Big Eyes” Smith, Marcia Ball, and The Fabulous Thunderbirds. Buddy Guy invited them to share the stage with him during one of his shows at ACL Live at the Moody Theater in Austin and Willie Nelson had them open his show, the brothers being the only nonrelated act on the bill.
“Bastrop blues siblings got their mojo workin’… as long as youngsters like the Petersons keep the flame burning, the genre will never die.” – The Austin Chronicle
Glenn and Alex live near Austin, in Bastrop, Texas the sons of supportive parents Glenn Sr. and Deanna Peterson. There they live as any normal teenagers would, going to school where they consistently receive high grades, play in the school band and do volunteer work. Every other waking hour is spent playing their instruments and working towards their dream. “Music for us is like soccer or football for someone else,” Glenn explained. “We just love what we do and this is our life.”
Glenn, 18 years old, plays guitar and sings lead, delivering the blues with a heavy influence of funk in his rhythm guitar playing. Through a smooth, jazz-influenced style he combines a traditional blues approach to his leads reaching inspiration from blues greats BB King, Albert King and Freddie King, Buddy Guy, Albert Collins, Hubert Sumlin, T-Bone Walker and Lightnin’ Hopkins and borrowing from contemporary players like Robert Cray, Michael Burks, Ernie Isley, Eddie Hazel and jazz icons Wes Montgomery and Kenny Burrell.
Alex, 16 years old, plays 5-string bass, violin and sings. He holds down their sound with supportive bass lines then breaks out with distinctive melodic riffs, often with a funk and jazz style that transcends his young age. Like his brother, he has a wealth of knowledge about his instrument and the musicians who have influenced him. They include Victor Wooten, Marcus Miller, Jacob Pastorius, Larry Graham, Bootsy Collins, Ron Carter, Ray Brown, Quintin Berry, Louis Johnson, Adam Blackstone, Stanley Clarke, Rocco Prestia Bob Stroger, and James Jamerson.
Together the brothers discovered the likes of B.B. King, Howlin’ Wolf and Stevie Ray Vaughan at an early age around the house. The bond between the brothers is apparent. “It comes naturally to us,” says Glenn. “We just seem to know and feel what the other is thinking instinctively.”
Blue Point Records is Michael Freeman’s independent record label. Freeman’s credits are extensive and include Pinetop Perkins and Willie “Big Eyes” Smith’s Grammy and Blues Music Award winning album Joined At The Hip.
“They delve into both traditional and contemporary blues, “old school” and contemporary R&B;, Soul, – some Rock – and a hint of Jazz. Elements from each of those styles can be found in both their choices of material and performances today. It was very apparent that if they stayed the course and worked at their craft, they could become a prominent and exciting part of the new and young generation of up and coming artists with roots in the blues,” says Freeman. (www.bluepointrecords.com)
